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	<title>Comments on: The Friends of Eddie Coyle &#124; George V. Higgins</title>
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		<title>By: Conn</title>
		<link>http://www.michaelpatrickbrady.com/blog/review-friends-eddie-coyle-george-higgins/comment-page-1/#comment-11488</link>
		<dc:creator>Conn</dc:creator>
		<pubDate>Tue, 03 Aug 2010 18:42:42 +0000</pubDate>
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		<description>I would imagine that you would love Dennis Lehane&#039;s work then, as he combines a world-weary cynicism with determined idealism, and has a glorious gift for language and imagery.

Haven&#039;t read EDDIE COYLE yet, but I&#039;ll have to do so.  I&#039;ve noticed that Irish and Irish-American crime stories (even if told by Scorsese) are utterly lacking in romanticism, and thus show clearly the emptiness of the life. A really good example (up until the ridiculous Peckinpah shoot-out) is the film, STATE OF GRACE, starring Sean Penn and Gary Oldman.   It&#039;s based on the Westies, an Irish mob based in New York City&#039;s Hell&#039;s Kitchen in the mid-to-late 20th Century.</description>
		<content:encoded><![CDATA[<p>I would imagine that you would love Dennis Lehane&#8217;s work then, as he combines a world-weary cynicism with determined idealism, and has a glorious gift for language and imagery.</p>
<p>Haven&#8217;t read EDDIE COYLE yet, but I&#8217;ll have to do so.  I&#8217;ve noticed that Irish and Irish-American crime stories (even if told by Scorsese) are utterly lacking in romanticism, and thus show clearly the emptiness of the life. A really good example (up until the ridiculous Peckinpah shoot-out) is the film, STATE OF GRACE, starring Sean Penn and Gary Oldman.   It&#8217;s based on the Westies, an Irish mob based in New York City&#8217;s Hell&#8217;s Kitchen in the mid-to-late 20th Century.</p>
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