Michael Patrick Brady

My review of Jeff Hanson’s Madam Owl ran today in the Boston Phoenix.

I had the pleasure of listening to this record alongside the most recent Death Vessel disc (which I have reviewed for ALARM Magazine). Both artists share an unusual trait for grown men, a quite airy, feminine singing voice that is not instantly recognizable as coming from a man.

It’s slightly disorienting, in fact, but once the initial surprise subsides, both records can be assessed on the merits and strength of their songcraft.

Hanson’s songs are delicate, wistful strains of folk that, while enjoyable, have very little in the way dynamics. I think this is particularly noticeable in comparison to the Death Vessel disc, Nothing Is Precious Enough For Us. That’s not to say Madam Owl isn’t good, just that it’s a relatively timid affair.

As my review notes, there’s plenty to like about this disc. Though his voice is a stand-out feature, Hanson does not seem to employ it or stretch it beyond its natural ability. It sounds muted, a little too effortless (as do the strings and horns which back up the music). I’d like to see him cut loose a little, dirty up the production, and experiment, deviate from the folk-rock formula.

[tags]Jeff Hanson, Madam Owl, Kill Rock Stars, Boston Phoenix, Folk, Indie Rock[/tags]